"Too civil by half."

The Rivals. Act iii. Sc. 4.

"Our ancestors are very good kind of folks; but they are the last people I should choose to have a visiting acquaintance with."

The Rivals. Act iv. Sc. 1.

"No caparisons, miss, if you please. Caparisons don't become a young woman."

The Rivals. Act iv. Sc. 2.

"We will not anticipate the past; so mind, young people,--our retrospection will be all to the future."

The Rivals. Act iv. Sc. 2.

"You are not like Cerberus, three gentlemen at once, are you?"

The Rivals. Act iv. Sc. 2.

"The quarrel is a very pretty quarrel as it stands; we should only spoil it by trying to explain it."

The Rivals. Act iv. Sc. 3.

"You 're our enemy; lead the way, and we 'll precede."

The Rivals. Act v. Sc. 1.

"There 's nothing like being used to a thing."

The Rivals. Act v. Sc. 3.

"As there are three of us come on purpose for the game, you won't be so cantankerous as to spoil the party by sitting out."

The Rivals. Act v. Sc. 3.

"My valour is certainly going! it is sneaking off! I feel it oozing out, as it were, at the palm of my hands!"

The Rivals. Act v. Sc. 3.

"I own the soft impeachment."

The Rivals. Act v. Sc. 3.

"Steal! to be sure they may; and, egad, serve your best thoughts as gypsies do stolen children,--disfigure them to make 'em pass for their own."

The Critic. Act i. Sc. 1.

"The newspapers! Sir, they are the most villanous, licentious, abominable, infernal-- Not that I ever read them! No, I make it a rule never to look into a newspaper."

The Critic. Act i. Sc. 2.

"Egad, I think the interpreter is the hardest to be understood of the two!"

The Critic. Act i. Sc. 2.

"Sheer necessity,--the proper parent of an art so nearly allied to invention."

The Critic. Act i. Sc. 2.

"No scandal about Queen Elizabeth, I hope?"

The Critic. Act ii. Sc. 1.

"Certainly nothing is unnatural that is not physically impossible."

The Critic. Act ii. Sc. 1.

"Where they do agree on the stage, their unanimity is wonderful."

The Critic. Act ii. Sc. 2.

"Inconsolable to the minuet in Ariadne."

The Critic. Act ii. Sc. 2.

"The Spanish fleet thou canst not see, because--it is not yet in sight!"

The Critic. Act ii. Sc. 2.

"An oyster may be crossed in love."

The Critic. Act iii. Sc. 1.

"You shall see them on a beautiful quarto page, where a neat rivulet of text shall meander through a meadow of margin."

School for Scandal. Act i. Sc. 1.

"Here is the whole set! a character dead at every word."

School for Scandal. Act ii. Sc. 2.

"I leave my character behind me."

School for Scandal. Act ii. Sc. 2.

"Here 's to the maiden of bashful fifteen; Here 's to the widow of fifty; Here 's to the flaunting, extravagant quean, And here 's to the housewife that 's thrifty! Let the toast pass; Drink to the lass; I 'll warrant she 'll prove an excuse for the glass."

School for Scandal. Act iii. Sc. 3.

"An unforgiving eye, and a damned disinheriting countenance."

School for Scandal. Act v. Sc. 1.

"It was an amiable weakness."

School for Scandal. Act v. Sc. 1.

"I ne'er could any lustre see In eyes that would not look on me; I ne'er saw nectar on a lip But where my own did hope to sip."

The Duenna. Act i. Sc. 2.

"Had I a heart for falsehood framed, I ne'er could injure you."

The Duenna. Act i. Sc. 5.

"Conscience has no more to do with gallantry than it has with politics."

The Duenna. Act ii. Sc. 4.

"While his off-heel, insidiously aside. Provokes the caper which he seems to chide."

Pizarro. The Prologue.

"Such protection as vultures give to lambs."

Pizarro. Act ii. Sc. 2.

"A life spent worthily should be measured by a nobler line,--by deeds, not years."

Pizarro. Act iv. Sc. 1.

"The Right Honorable gentleman is indebted to his memory for his jests, and to his imagination for his facts."

Speech in Reply to Mr. Dundas. Sheridaniana.

"You write with ease to show your breeding, But easy writing 's curst hard reading."

Clio's Protest. Life of Sheridan (Moore). Vol. i. p. 155.

"The hunter and the deer a shade."

The Indian Burying-Ground.

"Then rushed to meet the insulting foe; They took the spear, but left the shield."

To the Memory of the Americans who fell at Eutaw.

"Oh, rather give me commentators plain, Who with no deep researches vex the brain; Who from the dark and doubtful love to run, And hold their glimmering tapers to the sun."

The Parish Register. Part i. Introduction.

"Her air, her manners, all who saw admir'd; Courteous though coy, and gentle though retir'd; The joy of youth and health her eyes display'd, And ease of heart her every look convey'd."

The Parish Register. Part ii. Marriages.

"In this fool's paradise he drank delight."

The Borough. Letter xii. Players.

"Books cannot always please, however good; Minds are not ever craving for their food."

The Borough. Letter xxiv. Schools.

"In idle wishes fools supinely stay; Be there a will, and wisdom finds a way."

The Birth of Flattery.

"Cut and come again."

Tales. Tale vii. The Widow's Tale.

"Better to love amiss than nothing to have loved."

Tales. Tale xiv. The Struggles of Conscience.

"But 't was a maxim he had often tried, That right was right, and there he would abide."

Tales. Tale xv. The Squire and the Priest.

"'T was good advice, and meant, my son, Be good."

Tales. Tale xxi. The Learned Boy.

"He tried the luxury of doing good."

Tales of the Hall. Book iii. Boys at School.

"To sigh, yet not recede; to grieve, yet not repent."

Tales of the Hall. Book iii. Boys at School.

"And took for truth the test of ridicule."

Tales of the Hall. Book viii. The Sisters.

"Time has touched me gently in his race, And left no odious furrows in my face."

Tales of the Hall. Book xvii. The Widow.